“Emily is a teenage girl pulled from our world into a world of magic and mystery by a necromancer who intends to sacrifice her to the dark gods. Rescued in the nick of time by an enigmatic sorcerer, she discovers that she possesses magical powers and must go to Whitehall School to learn how to master them. There, she learns the locals believe that she is a “Child of Destiny,” someone whose choices might save or damn their world … a title that earns her both friends and enemies. A stranger in a very strange land, she may never fit into her new world …
…and the necromancer is still hunting her. If Emily can’t stop him, he might bring about the end of days.” — Schooled in Magic, from Goodreads
Schooled in Magic is the first book in Christopher G. Nuttall’s series by the same name, and it follows the main character, Emily, as she tries to adjust to the medieval magical world she’s been kidnapped into. She’s being hunted by a necromancer named Shadye, who wants to sacrifice her to the Harrowing, because he believes she is a Child of Destiny and her death would be a powerful offering. It’s a very classic, world domination plot, and the necromancers are the current Big Bad, with the faeries being the background, Ye Olden Days Big Bad. Before Shadye could go through with the murdering, Emily is rescued by a sorcerer named Void. After the rescue, it’s discovered that Emily has powers herself, and is promptly enrolled in the–impenetrable from everything but plot–magical school of Whitehall.
Okay, let’s get the elephant in the room out of the way. Yes, it comes across as a story that borrows heavily from Harry Potter. In fact, if I had to give a brief description, I’d say it’s all seven Harry Potter books with their major highlights pulled out and rolled into one. We start with, “Yer a sorceress and the Chosen One, Emily,” and finish with the, “Battle of Hogwarts, er, Whitehall.”
We have the one loyal friend from the beginning (Ron/Imaiqah), and the bossy friend who was befriended through a harrowing experience, (Alassa/Hermione). Though, the intelligence level of the characters is swapped, the parallels are there and incredibly obvious, as are all the other ones: History of Magic, the McGonagall character, a Dumbledore character, a Defense against the Dark Arts type class, Care of Magical Creatures type class, Alchemy (Potions), Charms, and so on. The author also makes no bones about his incredulity of how other fantasy novels of similar ilk portray their worlds. However, he should keep in mind to not bite the hands of those who helped make fantasy more mainstream.
That said, here are my pros and cons, which include **SPOILERS** so reader beware:
- Because the main character was kidnapped at a more mature age, and wasn’t cloistered away for most of her life like Harry, there’s more real-world comparisons between the magical world and her own. She compares the writing of spells to computer coding, which, as someone who writes scripts, resonated with me.
- In the same vein as above, because she’s put in a medieval world instead of a magical world hidden within our own, there’s more opportunity for her to try and introduce real-world concepts, (bookkeeping practices, Arabic number systems, stirrups, and a few more), into this world. She theorizes that development is stunted through a combination of magic, and a medieval class system, and she’s probably correct. It’s interesting to watch the waves she creates by introducing these things.
- The magical system was laid out more in-depth. It gave us a more technical look into how the magic system works, and was like putting icing on an otherwise delicious, but barren, cake (Harry Potter world). Such things are explored in Fan Fiction of J.K. Rowling’s works, but the author herself didn’t touch too much on how magic functions. To be fair to Rowling, though, her target audience in the beginning was much younger than Nuttall’s, which means he had more leeway with attention-span for such details than she did.
- It was interesting, for me, to draw comparisons between Harry Potter, both obvious and not, and see how Nuttall interpreted or changed those references. And there’s no doubt that, despite the low level of scorn displayed by the main character for unbelievable aspects of other fantasy novels at certain points, the book played on the nostalgia of people who enjoyed Harry Potter.
- I enjoyed that their History of Magic was an actual discussion on the topic, rather than memorizing and spitting out facts. More history classes need to be taught like this, to be honest.
- The main character is relatable, in that her reactions make sense given her new environment, and likeable enough for a teenager.
- I had a couple of main grievances, one being Emily supposedly introducing the concept of bras to the world. That one had me going, “Oh, come on!” While the modern concept of the bra we know today was introduced in the early 1900s, women have been binding their breasts as far back as ancient Greece, or farther. Is he trying to tell me that a woman never stopped to think, “Gee, it’s really uncomfortable to walk around like this, guess I’ll not try anything to make myself more comfortable.” I’d believe there was an alternate world with magic in it, before I believed any species with breasts went thousands of years and didn’t think to give themselves some support.
- My other main grievance: the numbers don’t add up. What I mean by this, is we’re told by Void that necromancers outnumber sorcerers. We are also told that a necromancer functions by using murder to gain massive amounts of power. “Drain the mana, then drain the soul.” (Mana is the magic of the world.) It’s this massive amount of power being channeled through their minds that drives them mad, and they end up destroying themselves. However, one of the linchpin moments in the end is Emily being forced by Shadye to sacrifice someone to make her a necromancer, but the person has no mana, so it doesn’t work. Maybe I missed something, but here are my issues with this:
- If regular humans don’t work, and sorcerers are in short supply, how in the world are these necromancers even a threat? Who are they sacrificing in massive amounts to gain enough power to be a threat to the allied lands?
- We’re told in a story from one of the teachers that the necromancers were sacrificing people by the thousands, and rulers were sending shipments of people to be sacrificed in an attempt to bargain with the necromancers. As I said, the numbers and plot point don’t add up in the slightest.
- All they’d have to do to win is put everyone with significant mana behind wards like in Whitehall, and let the necromancers tire themselves trying to get in and access the only sources of power they can use.
- It could just be the population is half-magicless and half-mana capable, but not enough to utilize it. However, I don’t think that’s ever stated, leaving this plot hole wide open.
- In the beginning we’re told a General Kip is in charge of Combat Magic, but later, when the character is in said class, no one of that name is there. Instead, we have two Drill Sergeants: Harkin and Miles. It’s another point to a lack of consistency that occasionally crops up.
- The author seemingly uses a lot of terms interchangeably, like elves/faerie/Fair Folk, sorceress/witch/sorcerer/wizard, and so on. For the latter, I’m assuming it’s sort of a power structure, as Imaiqah states she’s a magician which is less powerful than a sorceress. However, since it isn’t really explained, it created a somewhat jarring, and less than smooth transition when giving the history of things.
- The overall technical aspect of the writing left something to be desired, and more rigorous editing was needed. There were grammar mistakes, homophone mix-ups (knew instead of new), and a lack of consistency with capitalization of certain things, like goblins/Goblins. While even the best editing can leave a few flaws, and I don’t tend to nitpick to this level, there were enough to be rather noticeable.
- The secondary characters have, well, character, but most feel as though they fall just short of being three dimensional.
I want to give it 3.8 out of 5, but the number system doesn’t work that way, so we’ll round up to 4/5.
The book was enjoyable for what it was: a play on Harry Potter’s popularity, but beginning with a little more maturity and critical thinking, as well as more depth with the magic.
The later books have higher ratings, and from what I’ve read in other reviews Nuttall’s technical writing gets better as it goes on. Given the fact that he has seemingly written 17 books in this series in a span of 5 years, while also writing other series concurrently, my only thought is that his man is either a magical machine, or a beast that never sleeps.
In the end, I’d recommend this book to anyone who won’t be offended by the obvious Harry Potter similarities, won’t get too hung up on the technical writing, and enjoys a reasonably good book about a magical school and saving the world. It’s not groundbreaking by any means, but I do think I’ll be purchasing more books in the series, so there’s that.